The Underdogs of Comedy

After happening into The Underdog and The Empress for their comedy nights, we were amazed at the indie comedy talent in this city. So, along with laughing uproariously at the many great comedians we saw, we got to plotting about somehow capturing even a glimpse of this great scene.

We decided a web series would the quickest way to get some of these funny people in front of an audience who hasn’t yet been out to one of the bars and venues hosting both regular and pop-up shows. Today we’re releasing six episodes featuring live sets from some of the comedians. More on what we learned making the series after the jump.  Continue reading

Leap First

Just dropping in for a short post after listening to “Leap First“, a short audiobook (really, a presentation) from innovation and ideas expert Seth Godin. It’s got my creative juices flowing again and I thought it was worth sharing.

There is some fantastic stuff in the two-hours about creating art, doing work, and putting aside the “tired”. Art and work, for Godin, can be anything that creates something or gets you out of the rut of just doing what you think you should be doing. The big thing is getting over the fear we all feel.

When you’re sitting right on the edge of something daring, and scary, and creative, and powerful, and perhaps wonderful and you blink and take a step back; that’s the moment. The moment between you and remarkable. Most people blink. Most people get stuck. All the hard work, and preparation, and daring and luck is nothing compared with the ability to not blink. And the only person who can decide that is you.

The audiobook is well worth your time if you’ve got an Audible account and you’re looking for a little kick to start/finish something you want to be working on.

Leap First cover

Canadian TV Will Never Be The Same

Let's Talk TV iconThe CRTC, the government body responsible for regulating television and telecommunications in Canada, has put forward changes to what we’re going to be able to watch on TV and how to get it. I don’t think things will ever be the same.

That’s cued up a lot of doom and gloom from people in the television industry. But it’s too early to know what really will happen and it’s also not a bad thing to change.

The two biggest decisions from the CRTC’s “Let Talk TV” discussion came this month. The first is that rules about how much Canadian content (CanCon) channels have to show during the day is changing. Standard channels, like CTV, Global, and CityTV, will no longer need to show Canadian shows during the day (there are still local programming requirements) and only need to maintain a quota of 50% CanCon during evening primetime. The CRTC is instead asking broadcasters to produce the highest quality Canadian shows it can making Canadians excited to watch homegrown shows, and hopefully to bring acclaim to Canadian storytellers.

The other big change is that there will be a “skinny basic” cable package offered next year which will be only local channels (like CTV, Global, CBC, CityTV) and “must-carry” chanels like The Weather Network, AMI, and APTN. (Note: I did recently work for AMI.) Other channnels, from things we consider standard cable networks right up to specialty and pay channels will then be offered in a variety of packages small and large, and on a pick-and-choose basis (some of this may vary by cable provider).

The first change about how much Canadian content is produced has some people claiming the nation’s television industry will disappear. I’m not quite buying it. There’s still going to be local news and programming, there’s still going to be scripted drama and comedy produced because networks HAVE to spend money on programming under the new rules (as they do now, on top of quota requirements) but there could be fewer shows. My guess is shows during the daytime like Cityline and “U.S. Reality Show-Canada” will be ones to get cut, though only time will tell.

The second change means cable channels are going to be pitted against one another more. If the Golf Channel isn’t getting money from being packaged with other channels and can’t entice enough people to buy it as a standalone channel it might disappear. Same goes for History, or that channel that shows beautiful photos of trees and oceans. The change here is that some channels could be surviving only because they’re in cable packages with channels people actually want. The pick and pay model may see channels fail to garner any interest on the open market. And, yes, that could mean some jobs are lost. (Though, a few of those cable channels don’t even produce much in the way of original content, or programming is duplicated across a company’s many cable channels, so fears here could also be overblown.)

Unfortunately, as important as the cultural aspects of television programming reflecting the Canadian sensibility, political climate, and ideas is, it doesn’t mean everyone is entitled to a job in the industry. I think these changes will result in some reductions in Canadian content, but we’ll still have plenty of Canadian shows to watch and channels to choose from. And the storytellers and producers who want to be a part of the cultural conversation are going to keep getting work.

There’s definitely right to be some fear that the Canadian broadcasters and networks are just going to load up on U.S programming. They haven’t exactly shown themselves to be local cultural supporters when it comes to financial backing. Though, I really believe, if one of the networks threw all of their money into CanCon they’d be the one to make the most money (you have to offer something different now). Who knows if it’ll happen. That’s really where we’re at now. We don’t know what will happen next year or the year after.

But that’s the world we live in today. Doing the same thing we’ve been doing for decades, with the Internet absolultely disrupting and changing media, is probably not going to give anyone employment support for very long either.


It’s Alive!

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So, I’m pretty jazzed to announce the Beta launch (translation: soft launch, a.k.a., “it’s brand new so expect a lot of bugs” launch) of the #YegFilm directory app.

This is a project that I’ve had a frustrating, up-and-down relationship with; I finally resigned myself to failure last year, but apparently stubbornness + a brief stint working for WordPress led me to the idea of abandoning the Ruby on Rails version of the app I had built and leveraging WordPress instead.

Yes, now it’s a thing, out there in the internet, and I hope you will give it a try and email me both bugs and feature requests at sally[at] Obviously I will avoid them at first, complaining that it’s your fault because you used it wrong, but eventually, I really will fix and update the functionality.

1) go to

You’ll be greeted by this login window. Click the teeny-tiny Register link in the lower left.

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2) You’ll be prompted to choose a username and input your email.

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3) After you submit your info, check your email. You should (SHOULD, remember, this is a BETA version so your computer might also just burst into flames) receive an email containing your login information.

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4) Now you can click the link in the email, login, and click the “edit my profile” link in the upper-right to put in your information.

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5) Now, just fill out the fields. Leave anything you don’t have blank. It’s easy to overlook some of the fields, so make sure you complete everything, all the way to the bottom of the page.

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6) Now, if I’ve done my job correctly (and let’s be honest, there’s at least a 40% chance that I have not), you should be able to go to the front page of the site and filter all members based on whether they are available for projects, and which skill sets they possess.

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The First 20 Hours: How to Learn Anything Fast


In the latest episode of WTF, Marc Maron talks to one of my very, very favourite standup comics, John Mulaney. Mulaney, who spent years as a staff writer on shows like Important Things with Demetri Martin and, most famously, SNL (he was one of the guys who created Stefon), talks about his early standup career, particularly touring as an emcee for acclaimed comic and filmmaker Mike Birbiglia.

“I went on the road with him for 30 days straight. and that was like a huge turning point. The lesson for me was that before that tour with Mike, I always wanted the show to be cancelled. I always wanted to have done a show. I wanted it behind me. And after doing 30 days straight where I had to emcee every night, I started to want to do the show itself.”

This is a powerful idea. It evokes the 10,000 hour rule popularized by Malcolm Gladwell in his book Outliers (which is now, admittedly, largely debunked): at a certain threshold, you develop your skills enough to become an expert. The Beatles are the most often cited case of the 10,000 hour rule in effect. John Lennon describes a period in their early years where they honed their craft playing German clubs.

“We had to play for hours and hours on end. Every song lasted twenty minutes and had twenty solos in it. That’s what improved the playing.”

Somewhere between 10,000 hours in a German club and 30 days on the road with Mike Birbiglia, though, lies Josh Kaufman’s book, The First 20 Hours.  Continue reading

Tell Those Local Stories

We couldn’t agree more with the sentiment in this Metro Calgary article about telling Alberta stories (h/t to YegFilmer Geeta for the link).

While Alberta is chock full of good stories, great characters, and important debates, so is Edmonton. And your city. And your hometown. And every other place in Canada. (And Brazil, if our web stats are to be believed that we actually have real people from Brazil reading this.)

This is just a short post to say “Yeah, tell your own stories!” Things placed in Anytown, USA may help sell a TV show or movie in the short-term but it’s not likely going to be one that remains part of the pop culture conversation for years to come. A good example of this is Corner Gas. There is absolutely no ambiguity that it takes place in a small town in Saskatchewan.

A couple of other favourites, and openly Canadian shows, we like and can name off the top of our heads include This Is Wonderland (Toronto), Da Vinci’s Inquest (Vancouver), The King of Kensington (Toronto), Continuum (Vancouver, future-Vancouver), and Less Than Kind (Winnipeg – bonus for the “Confusion Corner” road sign in the opening credits).

What are some of your favourite Canadian TV shows, movies, and books that actually take place in Canada?

It’s not TV, it’s HBO

HBO logo

HBO’s slogan is going to take on a new level in the new year. The cable channel synonymous with ushering in a golden age of television programming is cutting the cord.

In 2015, HBO will allow non-cable subscribers to pay for and watch its programming in a new online streaming service (or through other online services and options). While there’s no Canadian mention as of yet, it will likely follow quickly as this will surely find success with people already watching most of their programming online and through services like Netflix and Hulu. (There are said to be ways to circumvent said international restrictions, but we wouldn’t know anything about that.)

This is great news for people who have cut their cable, or are considering it, as HBO is one of those channels that could really keep you hooked on monthly cable bills (or keep you downloading, as Game of Thrones is the biggest show on the torrents). It’s also big news as Canada’s television regulator and our TV networks try to figure out what comes next. If HBO is any indication, bet on the future going online, and stop trying to find ways to keep people buying cable packages they don’t really want anymore. And it’s the best news for people who are just looking to watch what they want when they want, and not always resort to downloading the best shows on TV.


From The Idea Jar: Startup Babies

Sometimes when we dig into our idea jar we find something we cannot remember coming up with. This is going to be one of those.

Bouncing off Sally’s recent Ladies Aren’t Funny improv class, this could be considered a line to start a scene. Maybe even a good line? Either that, or we were trying to pitch a Muppet Babies-like spin-off for Startups.

The idea is:

“There are no babies in Startups!”

While a quick Google search may seem to challenge that idea (image below), I think I stand by that statement. Anyway, create with that what you will, Internet.

These babies are looking for venture capital.

These babies are looking for venture capital.


Our Idea Jar never seems to find itself running low on ideas neither of us remember coming up with. Check out all of our Idea Jar posts for items you can make your own.

The American Fall TV Season

Image via:

Image via:

With the recent Let’s Talk TV hearings, about the future of Canadian television and content (and Netflix and Internet and…), wrapping up in Ottawa, it’s a good time to look at what’s new in the Canadian fall TV season. It’s probably also a good reason because fall remains the big time for television programming.

This is only the original drama and comedy that’s been announced for primetime television hours, and doesn’t include the many local news or daytime lifestyle programs that may be on the schedule.

Schedule “highlights” after the jump. Ooh, I think those quotation marks were a spoiler. Continue reading